{"id":472,"date":"2018-02-15T02:07:19","date_gmt":"2018-02-15T10:07:19","guid":{"rendered":"http:\/\/jamesman.com\/secure\/?page_id=472"},"modified":"2018-02-20T23:09:59","modified_gmt":"2018-02-21T07:09:59","slug":"lost-planet-3","status":"publish","type":"page","link":"http:\/\/jamesman.com\/secure\/lost-planet-3\/","title":{"rendered":"Lost Planet 3"},"content":{"rendered":"

Project Date: 2013
\nCreated with:<\/strong> ZBrush, 3ds Max, Photoshop, & Bethesda’s GECK engine
\nResponsibilities:<\/strong> Environments, vistas, and cinematic lighting<\/p>\n

Environment Breakdowns:<\/strong> I worked as a level lead on the Shack’s Peak area of the game and, in addition to being responsible for level layout, dressing, and lighting the areas featured in the screenshots below, I also had to build the rail and rail stations that would bring the large Vital Suit mech to the peak of the mountain.\u00a0 I also designed and built the communications station at the peak of the mountain.\u00a0 I built several other smaller areas in the game as well, including a T-Energy Refinery and some of the smaller, exploration-based ice caves.\u00a0 In other areas, like the North Plains Hub, I worked on the far vistas that gave the game it’s haunting, atmospheric look and feel.<\/p>\n